
Private View: 4-7pm Sat 14th January 2012
Exhibition: 14th January – 12th February
Home Sweet Home publication is available to buy here.
Batchelor and Colson present Home Sweet Home. A body of work that tells the story of The Ferrier Estate, a South London Community dispersed as a result of regeneration. Also featuring the documentary produced in collaboration with visual artists Zaunka.
HOME SWEET HOME from zaunka on Vimeo.


Private View Saturday 22nd October 12:00 – 16:00






“Works I didn’t do” – http://vimeo.com/25959391
HEY HEY HEY ! APPROACHES TO THE CITY
Essays on critical approaches #0



Thursday 29th of September 6pm – 9pm
Available for collection or visiting from 30th to October 16th.
For further information contact: AC@heyheyhey-approachestothecity.org
www.heyheyhey-approachestothecity.org
GREEN=BOOM An experience prototype
Installed at Shopwork from 25th – 28th April 2011
DWFE is an experimental design syndicate producing projects that look at how artefacts, systems and material culture can offer some degree of relief from the emptiness of contemporary living. Their work is a search for meaning through the construction of the extra-ordinary; they design activities, actions and experiences that reconfigure people’s relationships to their habitual surroundings.

Photo: Ben Barker
DWFE aim to create experiences that operate on an emotional level to stimulate and excite. They have been exploring the notion of ‘recreational bombs’, as a reaction against the over sanitisation of everyday life.

“GREEN=BOOM is an installation, where invited guests will disarm specially constructed devices. The experience also involves a briefing and debriefing, and participants will receive a photographic souvenir of their moment of truth.”




“Over recent decades, entertainment and play have become decoupled from risk. This experiment is an attempt to develop tension and anxiety: emotions that elevate our engagement within an entertainment topology. The GREEN=BOOM installation is also conceived as a boundary test in taste, and looks for the point at which the consumption of violence for entertainment stops being acceptable. Can we ‘act out’ extreme forms of jeopardy whilst still remaining detached from the possible consequences of our actions? At the heart of the project lies an ethical questioning of the contemporary consumption, glorification and fetishisation of warfare and weaponry.”
DWFE is Jimmy Loizeau, Laura Potter & Matt Ward